Tag: culture

Vtubers confuse me

On By bakatsundoku2 Comments

So lately, I’ve found a subset of Japanese culture called vtubers. This really wasn’t voluntary, and they confuse the snot out of me. As near as I can tell, they are different anime-like characters that are voiced and acted by real people, they have different personalities, and they stream. Like, a lot. And people seem to like them. A lot.

Now, let’s be clear: I understand this, a little bit. My favorite vtuber at the moment (and I hope I don’t watch enough of it to change my opinion, frankly) is Inugami Korone. The character is supposed to be a dog. A dog-girl. A doggo. Or something. Damned if I know. Occasionally the dog-girl does cute and funny things. Same with another named Luna. There was much confusion about how to say “OK Google”, and it was insanely cute. And sometimes, like the AKB48, etc., idols, they’ll let you in on a little of their real life, and I guess those things are good for otaku, and much for the same reason. I can sort of, a little, see the appeal, though I really have no intention of interacting with that community any more than I have – which is to say, watching random stream clips and laughing my butt off as, say, Korone falls over laughing at a bird sound. (HUUWAAAAAAAA) That is funny.

But people throw a lot of money at these characters. There seems to be a loyalty there that at least rivals that of idol groups such as AKB48. And, quite frankly, that I just don’t get. They just stream and act silly – or sometimes, frankly, lewd. Maybe that’s worth a few bucks every now and then, but sometimes people throw hundreds of dollars at those characters, and what for?

It’s not just vtubers, though. For some reason, Japanese media and culture seem to encourage unhealthy, and frankly obsessive behavior Who wants to throw hundreds of dollars at a vtuber? Who wants to buy hundreds of AKB48 CDS just to have tickets to vote in the senbatsu sousenkyou? How about considering anime or other characters their actual girlfriend, or referring to them as waifu? I’m confused. And I think I’d rather be confused, because if I understood this, I’d just be sad. There’s some cultural undercurrents here that I’m just not sure I think I’m better off just letting be.

Different strokes for different folks, I suppose, but this obsession is, frankly, just a bit too close to actual mental illness for comfort. So I guess I’ll let Korone entertain me if I see something particularly amusing come by on YouTube. But I think that’ll be the extent of it. I’m just not impressed with the culture. Not even a little bit. And if I ever start to get anywhere near that obsessive, I hope someone slaps me. So far, so good.

Ancient

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My first exposure to Japanese was watching idol group variety shows, so I guess it’s somewhat forgivable that that is generally the lens through which I see Japanese culture. Their culture, as it currently is, is defined by a mishmash of their own culture and language and some very powerful foreign influences that have completely reshaped their culture over the past hundred years or so.

But I was reminded that theirs is a much more ancient culture than ours, and to define their culture by how it currently appears is dangerous, as you start to see their culture through a western window. It is currently extremely heavily western influenced, but that’s by no means the whole story, and we ignore that at our peril.

There are several things that brought me to this realization. Perhaps the biggest is the discovery of a storytelling form called “rakugo”. I knew nothing about this, and I’d bet that anyone reading this probably hasn’t, either. Basically, a comedian comes out, sits on a pillow, and tells a story with minimal props, and without moving from the pillow. The stories are engaging and funny, and a good storyteller can keep people enraptured until the very end, which is a kind of very Japanese punchline.

If you look at Japanese culture through the lens of its modern productions, eventually you will be disappointed. The Japanese are very prolific at manga, anime, and other “otaku”-type productions, but at the end of the day, it’s shallow. It may tell you something about Japanese culture – and what it does tell you is valuable, especially for someone unfamiliar with the culture – but at the end of the day, it’s not really useful for those who want to understand what actually makes the Japanese people tick. Eventually you discover there’s much more below the surface – some very amusing and entertaining, some very dark, some beautiful, some ugly, but all of it completely Japanese.

The hard part is knowing where to look. It an take years before you even start to see the glimmers of what lies underneath the current media-driven culture.

I suspect the same it true for other cultures too. Chinese immediately comes to mind (even though they are currently a hot mess and pretty much everything after their cultural revolution is really not worth much, in my opinion), but even the more familiar Eastern European type cultures have their own histories that we in the west can kind of steamroll over, as our culture is incredibly powerful at the moment. I don’t mean to imply that our culture is inferior – there is a reason that it is so incredibly influential all over the world. But at the end of the day, its very influence does run the risk of causing every other culture to be seen through the lens of ours, and when that happens, something valuable is lost. I am not a fan of “multiculturalism” – some parts of cultures are objectively superior over parts of others – but that doesn’t mean that all parts of one culture are superior over all parts of another. I, for one, was very happy about the fact that masks have become popular around the world where they were culturally accepted in Japan and China, for example. If only because it lets me hide my face.

If you’re truly serious about learning Japanese, find the things that aren’t commonly known – that’s where the true gems are. And the true stinkers too, but you can’t have everything, I guess.

Gaijin

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I heard a story.

This is a story that appeared on one of the Reddit subreddits that are dedicated to stories.  It could have been MaliciousCompliance, or ProRevenge.  I can’t remember.  It’s not important.

Our protagonist was working at a Japanese company somewhere in California.  The managers there were Japanese nationals, and the employees were gaijin.  As far as the Japanese managers knew, no one there could speak Japanese.

So they basically ran roughshod over everyone.  It finally came to a head when a manager who had it in for the protagonist tried to railroad him out of the company.  But what they didn’t know was that he could speak some Japanese.  So when they had their big meeting, he mustered up all of the Japanese he knew and told them that the manager was lying.  He then quit.

Apparently the very fact that someone there could speak Japanese and they didn’t know it put the fear of kamisama into them, and they pretty much reformed how the branch was run.  And they sent the problem manager back to Tokyo to become a “window-watcher” (someone who has to come to work every day but has no duties, and then has to give a report every day on what they’ve done to their manager.  It’s a way to shame people into quitting, apparently.)

I’ve heard this story in several different forms.  Japanese people looking down on a stupid gaijin until they prove they can speak or understand Japanese, often in a way that is very embarrassing to the Japanese person.  I read this story once where an American (or some such) was in a Japanese store, and they insulted him in Japanese – and when he called them out in Japanese they were extremely apologetic.  They got caught.

It’s almost as if it never crosses the mind of a Japanese person that a gaijin might be able to speak Japanese.

On the one hand, this is an atrocious attitude, and in my view it is right and proper to call Japanese people out on it.  Us gaijin are not stupid.  We’re just different.  We mastered a language (well, most of us did, anyway) that is at least comparable to Japanese in difficulty, and we have managed to build a pretty cool society – if we can keep it.

On the other hand, sometimes they’re not wrong.  A gaijin coming to Japan without having learned even the basics of Japanese and their culture is nothing but a disrespectful tourist who has money to spend – and I think it’s perfectly legitimate to say that those who visit – or even worse – live there without learning any Japanese is showing absolutely no respect to the Japanese people, and they’re at least somewhat justified in having no patience with that.  It’s important to the Japanese people, and at the end of the day, it’s their country.

The Japanese culture is very ancient, and was pretty much literally dragged kicking and screaming by America into the modern age (look it up!).  I think I can understand some resentfulness to this situation, as for reasons I don’t understand, not having grown up in their culture, their cultural identity and their homogeneity as Japanese are extremely important to them.

Unfortunately, the world is moving on, and they’re having to move on with it.  That ship (literally, come to think of it) has sailed.  But the least we can do as gaijin is to recognize this, and at least have enough respect for them to come to their country with a basic understanding of their language and culture.  It’s just the right thing to do.

And in return, I don’t think we’re out of line in expecting some basic respect in return.  I’m not going to say we’ve earned it, but I will say that our effort should not be dismissed.  We’re making the effort, and that should count for something.

As for the “window-watchers”, well, that’s a really Japanese thing, I think.  A way to address the problem without actually addressing the problem.  Kind of like “fixing the glitch” in “Office Space”.  I guess the problem just eventually resolves itself.  It’s interesting to me though that wasting salary on a deliberately unproductive worker is more acceptable than actually removing someone from a company.  Certainly not something we in the west would tolerate.  But as I’ve pointed out many times – they have many of the trappings, but at the end of the day, they’re not western.  They’re East Asian.  With all of the cultural perks and baggage that that entails.

Kawaii Aidoru

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YouTube is an incredible distraction throughout most of the issues that have been going on in the world, and in my country.

One thing I’ve been watching is Babymetal reactions.  It’s quite amusing to see someone reacting for the first time – “Well, this is a band with… three girls?  And they’re Asian?  Korean maybe?  Well, I have no idea what to expect…”  “SOMEONE GIVE THOSE GIRLS SOME CHOCOLATE”  Anyway, I find it amusing.

There’s this one guy, NeonReaperGaming, who has been really going down the foxhole – to the point where he’s diving into Sakura Gakuin’s stuff, just to see where Su, Moa, and Yui came from.  He comments all the time about how cute they are – and they are!  And there’s nothing really wrong with that.  I find some of Sakura Gakuin’s stuff to be super cute as well.

But something doesn’t sit well.  It’s something that hasn’t sat well with idol culture for me, for a long time.

All we see of idols is exactly what they want us to see.

Are the members of those idol groups (Morning Musume, AKB48, Sakura Gakuin, et al.) cute?  Damn right they are!  But are they really cute, or have they been trained to be cute just so we can have a dose of cute?  Is it really respectful to them to look at what they present to us and judge them solely based on that?

I saw a video once of one of the lesser known AKB48 members.  She made a video where she was crying that she didn’t have enough money for chicken nuggets and matcha cookies.  While I felt a little bad for her, and thought it was a little bit cute, I remember it.  Because that was a look behind the scenes, when the curtain falls.  Even though her concerns were a little trivial in some ways, she was actually sharing a little of her true self with the world.  All she wanted in life at that moment were some chicken nuggets and matcha cookies.  Don’t we all experience that every once in a while?

And I value that genuineness much more than artificial cuteness.

Manufactured cute is a distraction.  Real cute is what melts hearts.

It’s an industry that can chew up young girls and spit them out when it’s done with them.  I’ve even written a few posts (one of which is really popular) about just this topic – I’ve wondered if Akimoto Yasushi is doing the world a service or a disservice by coming up with the AKB48 groups.  It’s an industry that can lead to, to put it charitably, unrealistic expectations, both of the girls and of the relationship the girls have with the fans.  It’s an industry that, I imagine, can put a lot of pressure on young girls to perform in ways that maybe they’re not ready or able to.

It’s an industry that, quite literally, sells cute and innocent.

Is cute and innocent something I want to consume, as a product?  Those girls are someone’s daughters!

I don’t know.  It makes me uncomfortable.  But at the same time, it’s nice to know there’s a little bit of cuteness in the world right now, even if it’s manufactured, packaged up, and sold with a little sailor-uniform bow.

But I most treasure those little moments where the mask comes down and you can see who they really are.  Because those are the few moments where they’re not producing, and I’m not consuming.  It’s too bad that those moments are, by their very nature, one-sided and rare.

Majime

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When I was a teenager, I used to attend what could laughably be called a Bible Study. I say “laughable”, because it was for teenagers, and I may have been the only person in that room with a Bible, and ready to study.  I didn’t know what that meant, but that was the purpose of the meeting, and so, I was ready to do what was necessary.

That did not happen, though.  They did everything but.  They played stupid games, they announced social events, they did absolutely everything but study the Bible.  And every time I left that meeting, I left feeling like those who I was stuck with were absolute idiots.  Not only including the ministers, but especially the ministers.

Truth be told, what they were probably doing, was trying to keep the youth from leaving entirely – and too much studying of the Bible would probably have done that.  I even recognized that at the time, but my attitude was, “let them leave, if they’re not interested in doing what they’re supposed to!”.

This is an attitude I’ve carried entirely throughout my adult life, for better or for worse.  I come to a job to do the job, and I’m not too interested in any social events or niceties, except as they directly pertain to the job.  For example, the company I work for has a nonprofit, and every year (except, obviously, this one) they hold different social events to raise money for the nonprofit.  I don’t mind doing this, but that’s because I see doing so as a part of my job duties, when I’m doing it.  But there are other events, some of which pertain to “social justice”, and some to other things, that I do not participate in. It’s not job related, so I don’t care.  It’s not what I came there to do.  My attitude is “do it on your own time”.  Obviously many people disagree with me.  I think that is a cause of my ongoing anxiety.

I believe so strongly in this that there is a certain line that I will not cross, and leave a job before I cross it.  My company has not hit that point yet, but given the current climate, I’m planning for the eventuality, as it may be inevitable.

There was or is (I can’t be arsed to look it up, Sorry Okada-san) named Okada Nana.  She had a very “serious” character – which apparently extended to her off camera persona as well.  She seemed to have that same attitude of “I came here to do a job and I’m going to do it to the best of my ability”.  In fact, that seemed to be so ingrained in her that they pulled a huge prank on her by having someone in a pretend position of authority continue making more and more unreasonable demands on her.  She never broke, she never cracked, in fact, her smile never left her face.  She did exactly what was asked of her to the best of her ability.  She took her job so seriously that she was pushing all of her ego aside and just did her job.  She did seem relieved when the dokkiri was revealed, but that doesn’t change the fact that she was extremely serious about what she was doing.

And, as I said, that extended to off camera as well.  She was a member of AKB48, and she would scold all of the other girls when they would cuss or behave in a yankii manner – except for those girls who were trying to develop a character that needed those “unsavory” qualities.  Not only did she take it seriously, but she demanded the people around her take it seriously as well.

She was teased for this, obviously, because every idol in the public eye eventually gets teased for something (they got Takahashi Minami good with a chair prank) but this was something that they seemed to value about her.  I think this is a Japanese cultural thing.  You do your job, whatever it is, to the best of your ability, because that’s what you came there to do.

They called her “serious”.  I believe the Japanese word they used was “majime”.  This word can also mean “dedicated”.

In my culture, there seems to be no such thing.  People do not seem to come to a job to work – at least not entirely.  They want to have fun, do extracurricular stuff, etc – “work hard, play hard”, they say.  I don’t fit into this way of thinking, and I don’t think I ever will.  I have a job to do, and I intend to do it to the best of my ability – and then I intend on signing off and not having to think about work and coworkers again until I sign in the next day.  I’m just not interested.  I have a job to do.  And I’ve had to lower my expectations, again and again, as the people I have worked with simply don’t seem to have this kind of ethos.  Don’t get me wrong.  They do their jobs, they’re often competent, but they just don’t seem to take it as seriously as I do.

Now, that sense of majime causes problems, too.  I don’t tend to build close (or even casual) relationships with coworkers, and I resent it when they try.  I stay away from all extracurricular activities unless required, and leave at the first opportunity.  I’m sure I come across as hard-working, but aloof.  I don’t mind this, personally, but it’s really not a way to get ahead, at least in American culture.

Maybe it is in Japanese culture.  At least to a little more of a degree.  They do have extracurricular activities, but these are kind of regimented, and you know what to expect.  Just as you would expect from Japanese culture.  I don’t drink, so that could be an issue, but otherwise…. eh.  Who knows.

I have much more in common with Okada-san, in that regard, than I do with probably ninety-nine percent of my own countrymen.  Which makes me seriously wonder if I’m in the right culture.

The Westernization of Japan

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I watched an interesting thing on YouTube about the history of Japan on my lunch break today, and in doing so, I discovered something really interesting.  It was Americans that kind of forced Japan’s hand and caused them to open up after several centuries of self imposed isolation.

Japan has always struck me as a really interesting mix, but I haven’t been able to figure out why.  It is almost as if they would like nothing more than to retreat back into their period of isolation, but can’t.  There’s this odd combination of enthusiastic assimilation of Western culture, and a seeming cultural fear of getting subsumed by it.  I wonder sometimes if that leads to a kind of schizophrenic view of western people – on the one hand, an admiration and respect, but on the other, a kind of subconscious understanding that we represent an existential threat to everything their culture ever stood for.  Some Japanese seem to resent westerners, and I wonder if even for good reason, to be honest.

I think we westerners, though, don’t really help.  Many tourists go to Japan without ever bothering to learn even the most minimal of Japanese – forcing them to learn English if they want our sweet, sweet tourist dollars.  Japanese is a difficult language, and of course it’s not reasonable to expect any tourist who goes there to be fluent.  It would, however, be a great gesture of respect to learn the basics.  Even the most minimal of effort goes a long way.

Many tourists also go to Japan without understanding Japanese history and our role in it.  Japan is a very modern country in many ways, but it’s not America.  They just see the world differently.  That’s not to say their way of seeing the world is better – it is in some things, ours is in others – but it’s different.  And every American who goes to Japan without understanding, or caring to understand, those cultural differences makes another Japanese person who thinks we’re baka gaijin – and perhaps rightfully so.  Logan Paul is one example, but there are others.

I don’t always like Japanese culture.  But I try to at least understand it, and the roles my ancestors have had in its evolution.  It can be ugly.  Very ugly, in fact.  But mine was no better. There are many things in my culture that we are still trying to work through today.  Japanese culture is no different.  I just hope we can learn to respect each other more than we do.

Matsuri

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My formative years were troubled.  I have many horrible memories, of which I refuse to go into here – they’re personal, and it’s not appropriate.  But the memories were not all bad.

Every year we had a religious festival – we called it the Festival of Tabernacles, or the “feast” for short.  It was in some ways a rather staid affair – but it was a festival, and it was a celebration.  Some people treated it as an excuse to get wasted for seven days, but for the most part, it was intended to be a reflection of how the world was to be after Christ returned.  And, to be quite honest, it succeeded at that far more than I would care to admit.

What I remember the most about it was a sense of anticipation beforehand – and then the feast happened, and it was truly a seven day celebration.  People were happy – or as happy as they could be.  There is a certain spirit in the air when ten thousand people are in the same area for even marginally wholesome purposes.  It permeates the whole city, and I think even people who have no idea it’s happening can feel a change in the city for that short period of time.

I am so conflicted about Japan and its culture, but I can’t deny that I have a visceral emotional reaction to things Japanese, and I can’t figure out what or why.  I think it is because, while the dark is very dark, there is a spirit of celebration to the things that they do for entertainment.  The performers are not performers, it’s almost literally like they’re cheerleaders.  I don’t think there really is an analogue in western culture.  In our concerts, we’ll either politely and quietly stare at the performers (as in classical music), or we’ll mosh around in the audience as the performers do their thing, but in Japanese culture, it’s as if the audience is invited to celebrate with them.

I’m not even sure what they’re celebrating.  Maybe it’s the music.  Maybe it’s a sense of gratefulness for being able to do what they do.  Maybe it’s just how they’re trained.  But at the end of the day, they sing, and they dance, and we’re pulled into their little happy world for just a little while.

And I think that’s why people go otaku.  It really is infectious.  I don’t consider myself otaku, and certainly not weeaboo, but when seeing cute young girls or women dancing around on stage and singing their little hearts out, it’s really hard to not get pulled into their world, and just forget everything for a few minutes or an hour.  It’s just so happy.

I think maybe this is the spirit of Ganbatte.  We translate that in English as “try your best”, but it’s more than that, so much more.  It’s putting everything you have into what you’re doing.  And it really does show.  Japanese entertainers put everything into what they do, they don’t phone it in.  And it draws you into their happy world, and just for a little while, you forget everything sad and bad, because their energy just washes it all away.

It reminds me very much of the festivals I grew up in.

It’s all manufactured.  I get that.  And I know that the darkness of Japanese culture sometimes shows through, in unfortunate and even tragic ways.  But at the end of the day, it’s the gift they give us, and it would be rude to not accept and treasure it for what it is.

空気

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I’m going to try a different approach to posting today.  Let me know if you like it.

I have never been to Japan, but many things come to mind when I think of it.  I imagine the crisp air of fujisan.  The roar of trains, such as the shinkansen, as they come whooshing by.  The fragrant smells of sakura petals as they fall to the ground in spring.  The greenery of a small island nation that gets more than its share of rain, and the fragrant smells of grasses and blossoms on the hills, meshing seamlessly with the smell of traditional Japanese food, such as fish and rice.  Even the tall buildings of Tokyo seem to come with a certain kind of refreshing energy that I haven’t really found in American downtown cores.  Of course this is all in my imagination, but I’m not talking about reality.

I also see the darkness of a culture that values conformity over individuality.  I see a darkness that is difficult to fathom for me, a society that seems to have a lot of very flashy lights, amazing culture and food, and underneath is a vein of darkness that takes your breath away when you even begin to see it for what it is.

In my mind, Japan is a very beautiful, and a very dark, country.  Both the beauty and the darkness sometimes bring tears, and each defines Japan completely in its own way.  I don’t think Japan would be entirely the same without its darkness, just as it would not be the same without its beauty.

But to understand Japan, one must understand its darkness.  Yes, one must appreciate the wonderful things about Japanese culture – their almost boundless creativity, their respect for living things and the land around them, their ability to persevere and even triumph in the face of what seem sometimes insurmountable odds – but to see Japan through the eyes of their entertainment and tourism industry is to completely misunderstand who they are.

As I learn more I have come to respect them for what they are, and I’ve also come to a profound sadness.  They are an ancient and beautiful culture, and to solely define them through the entertainment they present to the world is to disrespect them profoundly.  To truly love something, or someone, you must understand their failings as well.  It is a profoundly sad thing when you realize that the person – or culture – that you love is flawed, imperfect – even profoundly so – but until one understands the warts, one cannot truly love.

This has been a difficult thing for me to grapple with as I’ve been studying Japanese and learning about the Japanese culture.  The veins of darkness are very dark indeed.  But even so, I am not too different from them, and they are not too different from me.  The darkness runs through all humanity, not always taking the same form, but being just as dark all the same.

Maybe someday I will see the beautiful white and red trees with the sakura petals falling, and I will remember that, for the Japanese people, the blooming of the cherry trees indicates graduation, the passing of time, and new beginnings.  And I will remember that the darkness does not have to stay dark, and the next year, the petals will also bloom, no matter what the previous year has brought.  And I will see all of the people hanami, and perhaps they will have a similar thought.  They are constrained by their darkness, but they are not defined by it.

And perhaps, not just in spite of their darkness, but because of it, I will grow to love them.

Continuing Introspection

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The past month or two has – whether I want it to or not – been a time for stepping back and reflecting on things.  Primarily:  why am I doing the things I’m doing in my life?  What do they accomplish for me?  With that introspection comes a lot of other kinds of introspection as well, and one cause for introspection is this:  what makes me uncomfortable with the Japanese culture?

Because, I’m not gonna lie, I’m really freakin’ uncomfortable with it.

After some thought, I think it comes down to this:  their culture is far more group oriented than mine.  One might think that was a positive – and it does have a lot of good things to say for it – but it has one, huge, honking, glaring thing that makes me not really want to explore their culture firsthand.

See, in my culture, people are very self-actualized.  In practice, what this means is, people are empowered to be jerks, but they are also empowered to be really nice, too – even if that goes directly opposite of where society (or authority) wants to go.  Groupthink is a factor, but as a culture, we are empowered to be able to easily pull ourselves out of it if necessary.  So, in my culture, if one sees an injustice, one feels a reasonable safety in stepping up and correct it.

True, we get the question of “what is an injustice” wrong more often than not, but that’s not the point.  The point is that I feel like there are people in my culture that I can trust to do the right thing, just as I know that there are people in my culture that I can trust to do exactly the wrong thing.

I don’t feel that kind of safety in the Japanese culture.  Yes, they can be very nice, gracious, and polite people, but they don’t or can’t often question the things in their culture which are questionable or dangerous.  So I fear that if I were to go to Japan, that I would not be able to rely on people to help if I needed it.  For example, if I were to have a medical emergency of some kind.  The groupthink would be too strong, and I”m a scary gaijin.

Is this fair?  Truthfully, I don’t know.  It may be, or it may not be.  The point is not whether it is fair, or even whether it’s correct.  It’s how I feel.  I’ve heard many scary stories about how Japanese people can just kind of ghost you if you step out of line, or worse.  I’ve heard scary stories of their hostage justice system.  I just don’t feel safe in their culture.

That may surprise some of you.  How could you feel safe in Texas, you might say?  You have guns and trucks and and and…  and I say, that doesn’t make me feel unsafe at all.  Those who legally have guns can almost to a one (almost) be trusted to do the right thing.  But can those who have been brought up with extreme societal pressure to defer to authority – in whatever form – be trusted to do the same?

I… don’t know.  And the fact that I don’t know is enough.

That is most of the source of my discomfort.

Feel free to tell me how wrong I am.  *Shrug*.  You might even be right.  But introspection doesn’t often care about correctness.  It is about identifying what is and then figuring out where to go from there.

Cultural Neuroses

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I think every country has something I call “cultural neuroses” – or at least I started to about twenty seconds ago.  Something in the culture that lives deep inside the cultural zeitgeist and underlies invisible assumptions that a culture makes.  In my opinion, this is one of the primary reasons to learn a foreign language – but for two reasons, not one.  One reason is to try to see the cultural neuroses in other cultures that are invisible to them.  And another is to try to see the cultural neuroses in your own culture that are invisible to you.

The former is easy, but the latter is far more difficult.

I live in the United States, and have lived here all my life.  I think because of my background I’m a little more perceptive to many of our cultural neuroses than most – primarily because in a very real sense I have never truly been a part of this culture.  I think in America, one of our biggest cultural neuroses is that of liberty.  Perhaps because of many things that have happened in our past, many, if not most, Americans are deathly afraid of losing their individual liberty, and protect it at all costs – sometimes to the point of being paranoid or neurotic about it.  Rules, restrictions, and regulations that other cultures might see as a balance between the good of the individual and community (though, of course, due to their own cultural neuroses, they never quite that get that balance right) appear onerous and intolerable to people from America.  Americans around the world have a reputation for behaving as if they are culturally superior to others, and I think many even feel that they are.  But that comes, I think, from the fear of submitting themselves to a system that does not value individual liberty as much as, or in the same way, that our culture does.

Of course, this is not the only cultural neurosis, but it’s one of the most prevalent.  Perhaps another is the fear of impending scarcity that came from our forefathers, most recently from the times of the Great Depression.  Much of our current materialism has probably evolved directly from these times of economic scarcity.

The Japanese are not immune from cultural neuroses.  There is something about their culture that has never quite seemed right to me, and upon reflection, I think I’m picking up on one of their cultural neuroses.  One of their biggest neuroses, I think, is that they have a difficult time facing their “dark side”.  Whenever that is exposed, they seem to react with denial and shame, which is seen by other cultures as not owning up to mistakes made in their history.  I think this is why they have such a fascination with cute and innocent (kawaii) characters, but also, why anime and other forms of media seems to have such a dark and dystopian bent.  They see their dark side, but it is culturally suppressed, and comes out in unexpected and sometimes violent ways.  I confess to not having seen very much anime, but I have yet to see an anime that does not, in some ways, have either an underlying current of darkness and dystopia, or is extremely cute and innocent.  I do not see much introspection.  And I think that is because they are afraid of what they might find.

Of course, this is just a theory.  And I put forth one of my own cultural neuroses because the point is not that this is something that is unique to Japan – it’s something that every culture has.  For example, Germany is still, eighty or so years later, reeling from their role in the second world war and the horrible stuff that they did as a country.  You can see elements of this particular neurosis in the way they treat certain kinds of speech – they seem deathly afraid that the dark side that manifested in their culture might show again.  And perhaps for good reason, that was not completely eradicated with their loss.  But it’s still useful to note.  A country’s history is not lost with the death of a generation – the cultural wounds live on.

It is, perhaps, one of my flaws as a human, that I have a difficult time respecting people that are not introspective, while I am sometimes envious of them in the same breath.  This is my biggest challenge with the Japanese culture – it seems to discourage introspection.  Going with the flow and not making waves was probably an incredible survival strategy in the eras of the shogun, but these days, it seems to lead to a fractured culture that is having a difficult time finding their way in a world that has, in some ways, left them behind, even at the same time as they are some of the most innovative and creative people in the world.  It is my biggest struggle with the Japanese culture and learning Japanese – it’s hard for me to get past that.